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Home > FMR Art Publications > FMR Magazine
New FMR Magazine: No.21Item Number:  16012021
New FMR Magazine: No.21
Cover - New FMR Magazine Issue No. 20
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 Description
FMR is a bi-monthly magazine published simultaneously in English, French, Italian and Spanish.
 
To preserve the magazine in your library, FMR offers its subscribers an elegant library case for the 6 annual issues.
 
Editorial for Issue 20
For some issues now, the heading “Fil Rouge” has been proceeding in a new direction: it takes the form of a discussion through the medium of images, focussing on a specific theme, accompanied by texts which, having been freed of the need to present and defend a thesis, feed further intellectual reflection in their turn. In this issue Nancy Honicker casts light on a topic which has stirred up considerable cultural foreboding, but which also has more wide-ranging ramifications, deeply affecting our whole way of being. Millions of words – many of them superfluous – have been written on the veil and its potential as a flashpoint for cultural and even institutional invective; but the underlying reason has been left unspoken. Nancy Honicker now lets this voice be heard. Discussion of Phryne, of the Gorgon, and now of the veil, may seem to smack of erudition and intellectual virtuosity. Not so, in fact. We write on such matters in order to establish that our way of seeing – restive and distracted as it is by nature – may also be one of the ways by which a “first-hand” culture debates matters which are far less removed from real life than they might immediately seem. Rather than “primum vivere deinde philosophari”, we live while philosophising, that is, posing ourselves genuine questions and sowing equally genuine doubts. FMR often talks of its civic commitment; it claims to “make itself a vehicle for a culture whose products are not objects, but ideas and the values which generate them, bring them to life and cause them to circulate”; it talks of the “centrality of art, meaning beauty as a civic value, as the birthright of the community which has experienced it; of art as identity.” It talks of images which, ideally, will once again be raised to their status as icons, rather than Chinese shadows. As we all know, claiming is the easy part. Delivery is part of politics – in the best sense of the word.

Flaminio Gualdoni
  • FIL ROUGE Nancy Honicker - Tamar, Rebecca and Mary: From Raphael’s Sistine Madonna to major biblical figures, the great sexual mystery of the sacred is bounded by the veil. “The door to the New Covenant is opened by the words of a woman – veiled or unveiled?” is the question Honicker investigates.
  • MAPPA MUNDI Xavier Salmon - The Great Theatre of Kingship: For the aristocratic voyageur to Paris, a visit to Versailles was de rigueur: the world’s foremost spectacle at the time, its protagonist was the Sun King himself. The palace was the backdrop for displays of ceremonial splendour which reached dizzying heights, serving as the model for all future ones.
  • WUNDERKAMMER Donatella Failla - Flowers and Bronze: The vast collection of 1800 bronzes put together in Japan by the Genoese engraver Edoardo Chiossone between 1875 and 1898 includes a particularly striking group of Chinese and Japanese bronze vases, a rare combination of artifice and natural beauty.
  • STORIES OF THE EYE Walter Guadagnini - Ideas of Nature: The botanical garden, and nature tamed, as the perfect place for an exchange between artifice and nature, the realm of an observing eye which reconstructs with fierce conceptual clarity the classical idea of photography – an art in its own right, the sister of the noble idea of painting.
  • MNEMOSYNE Gianluigi Colalucci - “A mad obsession with the pictorial material”: Between 1931 and 1962, Ferruccio Ferrazzi compiled a series of notebooks which amount to so many working diaries. In written but more importantly in painted form, they are one of the most extraordinary documents of the appreciation of ancient art in the Italian artistic milieu of the twentieth century.
  • THE GREAT BAZAAR Muriel Pic - Sacred Imitation: The wax busts in the sacristy of the Santissimo Redentore in Venice, first drawn to general attention by Julius von Schlosser in a famous essay and here looked at in depth for the first time, stand at a crossroads between the Imitatio Christi and the realistic portrait, between likeness and apparition.
  • STORIES FROM ART George Sand, Flaminio Gualdoni - La dernière Aldini. Rome, Autumn 1510: Two stories of the vie de bohème, one dating from the nineteenth century, the other contemporary, one thoroughly literary and the other conceived as a historical-artistic divertissement: two different worlds, in both of which the artist cuts a lively figure.
  • AD HOC Manolo Valdés - Jackie VI: Obsessive variations on the canonical images of the history of art, the figures by Manolo Valdés, one of the founders of the Equipo Crónica in the Sixties, are one of the main European ripostes to US Pop Art, and a splendidly learned one at that.
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